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“so？” “ ‘cicero’ was a code name for a spy。 the british unearthed him。 a double then triple agent。 he got away。 ‘zerzura’ is more plicated。” “i know about zerzura。 he’s talked about it。 he also talks about gardens。” “but it is mostly the desert now。 the english garden is wearing thin。 he’s dying。 i think you have the spy…helper almasy upstairs。” they sit on the old cane hampers of the linen room looking at each other。 caravaggio shrugs。 “it’s possible。” “i think he is an englishman；” she says； sucking in her cheeks as she always does when she is thinking or considering something about herself。
“i know you love the man； but he’s not an englishman。 in the early part of the war i was working in cairo—the tripoli axis。 rommel’s rebecca spy—” “what do you mean； ‘rebecca spy’？” “in the germans sent a spy called eppler into cairo before the battle of el alamein。 he used a copy of daphne du maurier’s novel rebecca as a code book to send messages back to rommel on troop movements。 listen； the book became bed…side reading with british intelligence。 even i read it。” “you read a book？” “thank you。 the man who guided eppler through the desert into cairo on rommel’s personal orders—from tripoli all the way to cairo—was count ladislaus de almasy。 this was a stretch of desert that； it was assumed； no one could cross。
“between the wars almasy had english friends。 great explorers。 but when war broke out he went with the germans。
rommel asked him to take eppler across the desert into cairo because it would have been too obvious by plane or parachute。
he crossed the desert with the guy and delivered him to the nile delta。” “you know a lot about this。” “i was based in cairo。 we were tracking them。 from gialo he led a pany of eight men into the desert。 they had to keep digging the trucks out of the sand hills。 he aimed them towards uweinat and its granite plateau so they could get water； take shelter in the caves。 it was a halfway point。 in the he had discovered caves with rock paintings there。 but the plateau was crawling with allies and he couldn’t use the wells there。 he struck out into the sand desert again。 they raided british petrol dumps to fill up their tanks。 in the kharga oasis they switched into british uniforms and hung british army number plates on their vehicles。 when they were spotted from the air they hid in the wadis for as long as three days； pletely still。
baking to death in the sand。
“it took them three weeks to reach cairo。 almdsy shook hands with eppler and left him。 this is where we lost him。 he turned and went back into the desert alone。 we think he crossed it again； back towards tripoli。 but that was the last time he was ever seen。 the british picked up eppler eventually and used the rebecca code to feed false information to rommel about el alamein。” “i still don’t believe it； david。” “the man who helped catch eppler in cairo was named sansom。” “delilah。” “exactly。” “maybe he’s sansom。” “i thought that at first。 he was very like almdsy。 a desert lover as well。 he had spent his childhood in the levant and knew the bedouin。 but the thing about almasy was； he could fly。 we are talking about someone who crashed in a plane。 here is this man； burned beyond recognition； who somehow ends up in the arms of the english at pisa。 also； he can get away with sounding english。 almdsy went to school in england。 in cairo he was referred to as the english spy。” she sat on the hamper watching caravaggio。 she said； “i think we should leave him be。 it doesn’t matter what side he was on； does it？”caravaggio said； “i’d like to talk with him some more。 with more morphine in him。 talking it out。 both of us。 do you understand？ to see where it will all go。 delilah。 zerzura。 you will have to give him the altered shot。” “no； david。 you’re too obsessed。 it doesn’t matter who he is。 the war’s over。” “i will then。 i’ll cook up a brompton cocktail。 morphine and alcohol。 they invented it at brompton hospital in london for their cancer patients。 don’t worry； it won’t kill him。 it absorbs fast into the body。 i can put it together with what we’ve got。
give him a drink of it。 then put him back on straight morphine。” she watched him sitting on the hamper； clear…eyed； smiling。 during the last stages of the war caravaggio had bee one of the numerous morphia thieves。 he had sniffed out her medical supplies within hours of his arrival。 the small tubes of morphine were now a source for him。 like toothpaste tubes for dolls； she had thought when she first saw them； finding them utterly quaint。 caravaggio carried two or three in his pocket all day long； slipping the fluid into his flesh。 she had stumbled on him once vomiting from its excess； crouched and shaking in one of the dark corners of the villa； looking up and hardly recognizing her。 she had tried speaking with him and he had stared back。 he had found the metal supply box； torn it open with god knows what strength。 once when the sapper cut open the palm of his hand on an iron gate； caravaggio broke the glass tip off with his teeth； sucked and spat the morphine onto the brown hand before kip even knew what it was。 kip pushing him away； glaring in anger。
“leave him alone。 he’s my patient。” “i won’t damage him。 the morphine and alcohol will take away the pain。” （ cc’s brompton cocktail。
： p。m。） caravaggio slips the book out of the man’s hands。
“when you crashed in the desert—where were you flying from？” “i was leaving the gilf kebir。 i had gone there to collect someone。 in late august。 nineteen forty…two。” “during the war？ everyone must have left by then。” “yes。 there were just armies。” “the gilf kebir。” “yes。” “where is it？” “give me the kipling book。。。 here。” on the frontispiece of kirn was a map with a dotted line for the path the boy and the holy one took。 it showed just a portion of india—a darkly cross…hatched afghanistan； and kashmir in the lap of the mountains。
he traces his black hand along the numi river till it enters the sea at °o’ latitude。 he continues sliding his finger seven inches west； off the page； onto his chest； he touches his rib。
“here。